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{"id":5118,"date":"2017-06-14T18:24:23","date_gmt":"2017-06-14T23:24:23","guid":{"rendered":"http:\/\/www.ducts.org\/content\/?p=5118"},"modified":"2017-06-14T19:23:40","modified_gmt":"2017-06-15T00:23:40","slug":"c-train-and-other-poems","status":"publish","type":"post","link":"http:\/\/ducts.sundresspublications.com\/content\/poetry\/c-train-and-other-poems\/","title":{"rendered":"C Train and other poems"},"content":{"rendered":"
\"Southern<\/a>

Southern Seed<\/em> by Tierney Malone. Gouache on metal, 6’x3′, 2012.<\/p><\/div>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

C Train<\/strong><\/p>\n

 <\/p>\n

Sweltering heat. nearly empty car. red laces on blue Nikes lean against a pole. pooled on the red and black flooring is rainwater (I hope). A young woman is peering at the subway map. Her long golden brown locks trail down her neck onto her neon green shirt. I almost touch them.<\/p>\n

Next stop. Hoyt-Schermerhorn. It is ten-fifteen a.m. An AM New York<\/em> is lying on the cold gray seat.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

\u00a0<\/h3>\n

Tierney’s playlist<\/h3>\n

Listen to\u00a0Child of the 808<\/em>\u00a0by Reggie Quinerly.<\/strong>\u00a0 \u00a0 \u00a0<\/p>\n

You can also<\/em> read more about Tierney’s art<\/a> and Reggie Quinerly<\/a>.<\/em><\/p>\n\nhttp:\/\/ducts.sundresspublications.com\/content\/wp-content\/uploads\/2017\/05\/09-Child-of-the-808.mp3<\/a><\/audio>\n

From Invictus<\/em>, Reggie Quinerly (2015).<\/p>\n

 <\/p>\n

* \u00a0* \u00a0*<\/p>\n

 <\/p>\n

Not an Elegy for Bell, Martin, or Brown<\/strong><\/p>\n

 <\/p>\n

This is just anotha motherfuckin\u2019 poet<\/p>\n

using signal words<\/p>\n

like Black Lives Matter<\/em><\/p>\n

Talkin\u2019 \u2019bout just another body<\/p>\n

bulleted<\/p>\n

with bloody Nikes.<\/p>\n

It was just the night before a wedding,<\/p>\n

graduation,<\/p>\n

or some shit.<\/p>\n

It was just a regular day,<\/p>\n

going to get a pack of Skittles.<\/p>\n

I am tired of writing this shit.<\/p>\n

Brown bodies litter<\/p>\n

the streets and<\/p>\n

Pac\u2019s words<\/p>\n

still ring true:<\/p>\n

Nobody gives a fuck about us.<\/em><\/p>\n

I\u2019m just trippin\u2019 right now<\/p>\n

just buying another T-shirt with<\/p>\n

the newest name or face on it,<\/p>\n

tweeting about it.<\/p>\n

This is just anotha motherfuckin\u2019<\/p>\n

rant, or blog post.<\/p>\n

Wha\u2019d\u2019you care?<\/p>\n

 <\/p>\n

* \u00a0* \u00a0*<\/p>\n

 <\/p>\n

Godzilla in the Ghetto<\/strong><\/p>\n

 <\/p>\n

Listen carefully, my son: Police drones<\/p>\n

are flying over East New York<\/p>\n

but no one ever noticed.<\/p>\n

Bullets make their way into the house<\/p>\n

one burrows itself into<\/p>\n

your shoulder.<\/p>\n

I fly to you<\/p>\n

wanting to unregister you from<\/p>\n

death\u2019s program.<\/p>\n

I was having cereal<\/p>\n

when I realized we were<\/p>\n

going to die.<\/p>\n

We didn\u2019t hug.<\/p>\n

I reached past you<\/p>\n

to load my nine<\/p>\n

told you we were going on a trip.<\/p>\n

 <\/p>\n

* \u00a0* \u00a0*<\/p>\n

 <\/p>\n

Black Magic <\/strong><\/p>\n

 <\/p>\n

There must be something<\/p>\n

in the Kool-Aid<\/p>\n

because<\/p>\n

magically we<\/p>\n

shoot ourselves<\/p>\n

and sever our<\/p>\n

own spines<\/p>\n

while<\/p>\n

in police custody<\/p>\n

 <\/p>\n

There must be something<\/p>\n

in the chicken wings<\/p>\n

because our voices<\/p>\n

lifted in unison<\/p>\n

is called<\/p>\n

rioting<\/p>\n

and curfews<\/p>\n

are enforced<\/p>\n

against organizing<\/p>\n

 <\/p>\n

There must be something<\/p>\n

in the air<\/p>\n

called oppression<\/p>\n

to make us<\/p>\n

rise so hard<\/p>\n

and fast against it<\/p>\n

that even<\/p>\n

rival gangs unite<\/p>\n

in the face of<\/p>\n

a common enemy<\/p>\n

the oppressor<\/p>\n

whoever he is\u2026<\/p>\n

 <\/p>\n

* \u00a0* \u00a0*<\/p>\n

 <\/p>\n

Trayvon<\/strong><\/p>\n

 <\/p>\n

He fit the description. Fit the description. Always fit the description. Vagabonds in hoodies. Hoodies become vagabond. Signify. Signifying. He fit the description. He was buying Skittles while fitting the description. Beautiful black boy. Brown boys fit the description. Fit the description. Just a boy. Fitting the description. Iced tea and Skittles in hand, fitting the description. Gray hoodies fit the description. Bullets pierce. Piece flesh. Flesh burrowed through. Death becoming the description in blue jeans. Arizona in hand. He fit the description. Skittles in his bulging pocket. Threatening. He fit the description. Brown boys always fit the description.<\/p>\n

 <\/p>\n

About the Illustrator<\/div>
\n
\n Tierney Malone<\/a>\n <\/div>\n
\n

Tierney was born in Los Angeles, but has long called Houston his home. He is a modern-day storyteller who creates works on paper and mixed media constructions. He uses the canon of African-American history and pop culture to help him create contemporary tales about life. By invoking colorful and emotionally charged figures from jazz, sports and literature, Tierney makes powerful and sensitive works that are both visually beautiful and politically provocative.<\/p>\n

Tierney has exhibited his art widely throughout Texas and the U.S., including numerous solo exhibitions. His works are in the permanent collection of the Museum of Fine Arts, Houston; the Kansas City Jazz Museum, Kansas City, Missouri; Goldman Sachs, New York, New York; and the Federal Reserve Bank, Houston, Texas. He is the recipient of the Louis Comfort Tiffany Foundation Grant, a CACHH Visual Artist Grant, and a Kimbrough Visual Artist Grant.<\/p>\n

Tierney has collaborated with noted jazz musicians; commissioned to create the jacket cover for jazz musician Don Byron\u2019s 1999 CD, \u201cRomance of the Unseen\u201d on the Blue Note label and jazz pianist Randy Weston for a 2003 performance at the Miller Outdoor Theater. In 2008 he completed two major commissions; a limited edition print celebrating Da Camera of Houston\u2019s 20th Anniversary and an outdoor mural entitled \u201cSouthern Sounds\u201d for the Coleman Art Center in York, Alabama. Music and the creators of music are major influences in his work. It was in November 2009 that Tierney presented a solo exhibition in Houston, Texas, \u201cThird Ward My Harlem.\u201d<\/p>\n <\/div>\n

\n
More from Illustrator<\/div><\/a>\n <\/div>\n<\/div>\n

 <\/p>\n

About the Artist<\/div>
\n
\n Reggie Quinerly<\/a>\n <\/div>\n
\n

Reggie\u00a0grew up in a rich musical environment \u2013 one that nourished artists as stylistically diverse as pianists Jason Moran and Robert Glasper and guitarist Mike Moreno (featured on Freedmantown along with pianist Gerald Clayton and saxophonist Tim Warfield). They all attended Houston’s High School of the Performing and Visual Arts, where the teachers, said Reggie, were “incredibly devoted. They gave us a real head start.”<\/p>\n

After graduating high school he ventured to the East Coast, more specifically, the Mannes School of Music at\u00a0New School\u00a0University where he got to study with three great drummers: Jimmy Cobb, Lewis Nash, and Kenny Washington.\u00a0 After some time honing his chops on the scene he returned to school earning his Master’s in Jazz Studies at the prestigious Juilliard School.<\/p>\n

Noted as a “conscientious jazz drummer with a nimble and approachable style” (Nate Chinen, New York Times<\/em>) he has played with such leading artists as Wynton and Branford Marsalis, Joe Lovano, Greg Osby and Christian McBride. With saxophonist Marcus Strickland, he played and lectured as part of Lincoln Center’s Jazz in the Schools program and frequently collaborates with the talented vocalist and pianist Enoch Smith Jr. who also appeared on Quinerly\u2019s first project. He has toured various countries in Europe and Asia.<\/p>\n

As an educator he has presented masterclasses at Tulane University(New Orleans), The Cultural Arts Center of Galicia, Spain and since 2012 he has created and implemented music curriculum for several school districts throughout northern New Jersey.\u00a0 These music programs\u00a0 teach children teamwork through the fundamentals of rhythm, melody, harmony and songwriting.\u00a0 As of 2014 the program has been in partnership with the Little Kids Rock program and offers instruction in percussion, guitar, bass, piano and voice.\u00a0 He is a member of Percussive Arts Society and the New Jersey Education Association.<\/p>\n <\/div>\n

\n
More from Artist<\/div><\/a>\n <\/div>\n<\/div>\n

 <\/p>\n

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